Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez The Cardinal Infante Ferdinand as a Hunter oil


The Cardinal Infante Ferdinand as a Hunter
Painting ID::  767
The Cardinal Infante Ferdinand as a Hunter
Museo del Prado, Madrid
Museo_del_Prado,_Madrid
   
   
     

Diego Velazquez Head of a Stag oil


Head of a Stag
Painting ID::  768
Head of a Stag
Museo del Prado, Madrid
Museo_del_Prado,_Madrid
   
   
     

Diego Velazquez Prince Balthasar Carlos with a Dwarf oil


Prince Balthasar Carlos with a Dwarf
Painting ID::  769
Prince Balthasar Carlos with a Dwarf
1631 Museum of Fine Arts, Boston
1631_ Museum_of_Fine_Arts,_Boston
   
   
     

Diego Velazquez Queen Isabella of Bourbon oil


Queen Isabella of Bourbon
Painting ID::  770
Queen Isabella of Bourbon
Museo del Prado, Madrid
Museo_del_Prado,_Madrid
   
   
     

Diego Velazquez The Surrender of Breda oil


The Surrender of Breda
Painting ID::  771
The Surrender of Breda
1634-35 Museo del Prado, Madrid
1634-35_ Museo_del_Prado,_Madrid
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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